PAUL BALMER VIOLINS
My main aim is to take the time and care to help my customers, whether amateurs, serious students or professional players, to find the best instrument and bow to suit their needs.
GEOFF DENYER VIOLINS LTD
Geoff graduated from Newark School of Violin Making in 1984. He gained much experience in various workshops throughout Europe and now has his own premises in Winchester, from
JPB MUSIC
JPB Music was founded in 2004 and since then has grown into the UKs premier stockist of stringed instrument strings and accessories. We have over 25 years of combined experience in the violi
DEREK ROBERTS VIOLINS
Derek Roberts Violins was established in 1987 in Leamington Spa, Warwickshire. We are also open for business in Pembrokeshire, West Wales.
Since Derek Roberts Violins was establi
I have been playing a Colin Adamson viola since 2008 and love it as much as the day I first got it. For a smaller viola (15.5 inches), it still produces a rich, nuanced tone which is even across all f
JOHN DILWORTH
My first experience as an instrument maker was as an apprentice to the Breton harp-maker Gildas Jaffrenou. From his workshop I went on to Newark Technical College, where I initially stud
OXFORD VIOLINS
Oxford Violins was established in 1983 by Michael Kearns, Mark Yakoushkin and Bruno Guastalla in the City of Oxford, renowned for its musical life.
The way we work reflects our curiosit
TIMOTHY BATCHELAR
Timothy Batchelar was trained by William Luff and Pat Naismith in the Department of Music Technology at the old London College of Furniture. In his second year he won the Violin Maki
Sylvie and James Fawcett both trained at the Newark School of Violin Making and went on to combine forces in a joint workshop established in 1983, very quickly establishing a reputation for fine new i
MARK JENNINGS
On leaving school at 18 Mark studied Musical Instrument Technology at Merton College, London, graduating with distinction. He then went on to the internationally renowned Newark School o
ROGER HANSELL VIOLINS LTD
We feel that fittings on an instrument are crucially important and the set up should never be
compromised by a tailpiece, pegs or any other part being of inappropriate size.
AB FABLE: VIOLIN IMPROVISATION STUDIES
Anthony Barnett is a writer and music historian whose work is most recently considered by Ian Brinton in
Contemporary Poetry: Poets and Poetry Since 1990 (Contex
