Une telle classification entraînerait pour nous, d’une part, d’insurmontables contraintes – voire dans certains cas l’impossibilité de voyager -, mettant ainsi en péril l
You will notice when you play a Kloo violin or viola, that it has a very balanced sound: full but also clear, warm but also crisp. The sensitivity and dynamics of the instrument makes it possible to
Welcome on this new website.
You will discover over time the news that will accompany the development of my work.
You will discover new achievements, and a sum of instrument to sale or rent and all th
Holder of contracts for the maintenance of Double Basses and the acquisition of Violas da Gamba for the Conservatories of the city of Paris
Holder of the contract for the acquisition of Double Bass
The craft of luthier is complex. It requires solid knowledge in music, sculpture, painting, acoustics, history. The luthier uses all his senses: sight, touch, hearing, smell. All these faculties to
The bridge ensures that sound is carried from the string to the sound-box. This is an important role. Good transmission is straight and fast and can only be guaranteed by a luthier’s know-how
Former workshop of Frédéric Becker, Atelier Scordatura is located in Montpellier (Hérault, France) in an exceptional setting: the Hôtel Faulquier, a 19th century private mansion, a stone’s
Designed from classic models of the 18th century or inspired by these reference instruments, my violins offer a warm sound and rich in timbre. Power is achieved through harmonic density, through so
The workshop was created in 1990 on the banks of the Saone, near the Conservatoire National Superieur de Musique de Lyon.
In addition to the traditional activities of a luthier’s workshop: maint
We restore the instruments while respecting the aesthetic and sound integrity of the instruments using ancient know-how and also modern techniques that are constantly evolving.
We also provide routine
Woodwork and music are two passions that have driven me since childhood. Aged 18, I realised that a trade could mix both of them the day I walked through the door of a violinmaker’s workshop. I di
The Association of Luthiers and Bow Makers for the Development of the Instrumental Making of the Quartet, the Aladfi, was created in 1982 under the impetus of a group of luthiers and bow makers, both
