Created in 1960, the Groupement des Luthiers et Archetiers d’Art de France has set itself the goal of promoting modern instrumental craftsmanship while working to safeguard the heritage of ancie
Emmanuel Carlier began his bow-making apprenticeship in 2005 with Gilles Duhaut in Tours. He then joined the Maison Bernard in Brussels and became assistant to Pierre Guillaume with whom he developed
Our workshop proceeds to the expertise of the instruments of the quartet in order to inform you of the origin and the value of these, with drafting (on request) of certificate of authenticity, certifi
Fany Bourel has always been sensitive to music, and more particularly to the sound of the instruments of the string quartet.
Today his instruments are played by soloists and musicians from national an
We are making all these accessories in boxwood, ebony, rosewood or pernambuco, from traditional pattern, from antique pattern or made to measure.
The fine tuners, that are optional on the tailpieces,
Violin making in the 21st century has reached a crucial point. Never in history has there been such an abundance of precise and valuable data so easily accessible to makers. By the medium of Internet,
From early childhood, Savine felt intense pleasure when listening to master works of the violin repertoire. JS Bach’s sonatas and partitas played by Nathan Milstein, Mendehlson’s violin concerto
With a very long experience, the Maison Vatelot-Rampal is able to permanently offer you a very wide choice of quartet instruments ranging from the study instrument to the works of the greatest Italian
” By pushing the door of 50 rue de Rome, we find a discrete or the smell of varnish workshop mingles with scents of precious woods, where the weather changes size. It is a place steeped in histo
Pierre Nehr was born in 1978 in Aix-en-Provence, South of France.
In 1994, he spent days watching his brother Jean-Pascal Nehr, “Meilleur Ouvrier de France”, working. The smell of wood, th
Dedicate yourself only to music in optimal playing comfort and sublimated sound. Every detail counts, from the curve of the bridge to the roundness of the fingerboard, from the place of the soul to t
