HORVAT-KAMIYA VIOLIN STUDIO
Martin Horvat was born in Vienna in 1969.
He receives a ‘broad musical education in Vienna (Cello, Piano, Trumpet, Composition). Soon she developed a great interest i
L ‘Association Italian ALI Liutaria born in Cremona in January 1980 with only purposes of cultural and technical assistance to its members. It brings together professionals luitai and bow makers
JAMIE MARIE LAZZAKA
Born on November 12th, 1959 in Urbana, Illinois, U.S.A. In 1960 she moved to Los Alamitos in California. she began playing the violin at age 8. In her youth she attended courses an
LEVAGGI & TARTARI
I trained at the Cremona International Violin Making School under the tuition of masters V. Bissolotti and W. Zambelli, obtaining my diploma in 1984.
In 1994 I began working with
FERNANDO SALVATORE LIMA
Fernando Salvatore Lima was born in Santa Maria da Feira in Portugal. As a young man he showed a special gift for music and art in general and his manual skill was already clea
LUCCHICREMONA SAS
Try to imagine tortoises and lizards, horses and elephants in the company
of prehistoric animals like the mammoth. Then think of precious materials
like ivory, mother of pearl and si
MATTEO MAZZOTTI
Matteo Mazzotti was born in Pavia on 24th April 1979. As a child, he showed a precious interest in music and he attendet regularly the workshop in Piacenza of his grandfather, Mazzocch
MICHELE MECATTI
The workshop was opened in 1998 by Paolo Sorgentone and Michele Mecatti combining different professional experiences acquired during the years in order to offer comprehensive assistanc
Born in Cremona on January 7th 1964, Davide Sora got his degree at the International Violin Making School of Cremona in 1982, under the guidance of masters Primo Pistoni and Giobatta Morassi.
He start
IGOR MORODER
Born and raised in Ortisei, in Suedtirol, the art of music, painting and wood handcrafting were part of my family. After being completely fascinated by the stringed instruments thanks to
MASSIMO NEGRONI
An X-ray can reveal restoration work, irregularities in the wood,the channels produced by wood-eating insects and all the signs needed for the identification of the state of preservati
