One of the things we pride ourselves on is the expertise, skill, and passion every member of our team beholds. With years of experience in the instrument industry between us, you can be sure you are i
MATTHEW COLTMAN
Matthew Coltman trained at the Newark School of Violin Making and after graduating in 1977 he joined the world famous firm of W. E. Hill & Sons where he acquired his skills as a bo
ADRIAN VICKERS, MAKER AND REPAIRER OF FINE DOUBLE BASSES
Adrian Vickers has been making and repairing double basses since 1997 when he repaired his first instrument under the instruction of John Bedin
MARTIN RESTALL
The business was first established by Martin Restall as Portsmouth Violin Centre in 1979. Demand for instruments grew quickly and the workshop was always busy with customers repair work
We understand that buying an instrument is a very personal matter.
So we never put our clients under any obligation. Begin with a short consultation and take the opportunity to play one. Then, subject
Gennaro’s cellos are much sought-after concert instruments, this fine example having been made in Naples around 1750. The “bear’s claw” figure of the table and lustrous Neapoli
Hill and Company is one of Hertfordshire’s leading dealers, repairers and restorers of violins, violas, cellos and bows. We are the third generation of a proven family business and have been in
BOB GRUMMITT
Are you looking for a bow rehairer, with years of experience, in Surrey?
Specialising in stringed instrument restoring and bow rehairing. Bob Grummitt musical instrument maker and repaire
MARTYN J BAILEY LUTHIER LTD
Martyn Bailey has over 43 years experience in the violin family restoration trade. He served his apprenticeship as a violin repairer/restorer at J P Guivier & Co Ltd Vi
BEECHER ACOUSTICS LTD
Established since 1972, Jonathan Beecher originally started the business in an 18 foot square Oxfordshire room containing a grand piano and a small performance area for the teach
Stephen Thomson studied musical instrument making and repair at Merton College, Morden from 1994-6 after training in engineering. Although initially interested in guitar making, it was during the cour
JOHN DILWORTH
My first experience as an instrument maker was as an apprentice to the Breton harp-maker Gildas Jaffrenou. From his workshop I went on to Newark Technical College, where I initially stud
