If there is a particular model of instrument you are interested in I am currently offering violin models based on the ‘Sauret’ and the ‘Ole Bull’ by Guarneri del Gesù and the ‘Titian’ and
Sarah Beaton graduated from the
highly acclaimed, internationally recognised, Newark School of violin making in 1987.
After completing a three year course in the making of violins, violas and cellos a
Lorraine bitaud was born in France in 1986.
Both a musician and from a family of wood workers, I was drawn to violin making from an early age. On deciding to become a violin maker, I left France and c
Bowspeed is run by Melanie Caswell who resumes the bow sales and repair services of her father Hamilton Caswell at the family’s well-known shop premises in Bristol’s historic Christmas Steps vi
A musical instrument that fits well, feels well and sounds well is vital to inspire a love for music.
It instils a confidence, a comfort and a trust in your instrument and – more importantly – in
John Dike studied Violin making at the London College of Furniture in the late 1970’s under Patricia Naismith and Restoration under Harold Herne. He then worked for various retailers while establis
Traditionally hand crafted violins, violas and cellos by Peter Dodge.
An extensive range of beautifully hand crafted instruments made by traditional methods.
All have the sound qualities and p
VIOLIN AND BOW MAKERS, DEALERS AND RESTORERS WITH OVER FIFTY YEARS OF EXPERIENCE AND EXPERTISE.
Valuations for insurance: no charge, where the player is insuring through a good specialist policy with
Based in Beverley, East Yorkshire, Peter Hall Violins provides a quality service to student, amateur and professional players.
Peter has been a stringed instrument maker and repairer for over 20 years
Each bow is hand signed and made with the same care that Marco has extended to the company’s ownership and management of sustainable forest and the recycling of old wood from previous agricultural e
Sheena Laurie is a Scottish luthier specialising in the creation and restoration of ‘cello, viola and violin.
I began studying the design and construction of musical instruments at Anniesland Co
Rudolf began working in wood at the age of fifteen, fascinated by the possibilities of making beautiful things from this natural material. A degree in design in the early 1970’s rounded off formal
