Gennaro’s cellos are much sought-after concert instruments, this fine example having been made in Naples around 1750. The “bear’s claw” figure of the table and lustrous Neapoli
John Dike studied Violin making at the London College of Furniture in the late 1970’s under Patricia Naismith and Restoration under Harold Herne. He then worked for various retailers while establis
LK & M HEPPLEWHITE VIOLIN. VIOLA AND CELLO MAKERS
Lionel Karl Hepplewhite has been making violins, violas and cellos for discerning players since 1955. Each instrument is individually hand made by
DEREK ROBERTS VIOLINS
Derek Roberts Violins was established in 1987 in Leamington Spa, Warwickshire. We are also open for business in Pembrokeshire, West Wales.
Since Derek Roberts Violins was establi
Sheena Laurie is a Scottish luthier specialising in the creation and restoration of ‘cello, viola and violin.
I began studying the design and construction of musical instruments at Anniesland Co
We are situated on the Market Hill in the historic town of Woodbridge. The building dates back to the 16th century and inside is a warren of rooms filled with stringed instruments. We have music rooms
ROSS VIOLINS
Established in 2008, Ross Violins are makers, dealers and restorers of instruments of the violin family. We provide a high quality, affordable service for all string players. We cater for
CON RENDELL- LUTHIER
Versatile and Innovative Instrument Maker with over 40 Years Experience Specializing in One Off Original Design Acoustic Instruments
Originally training at Henry Selmer’s
Founded in 1892, J & A Beare is widely regarded as the pre-eminent business in the field of fine antique stringed instruments and bows. Supported by Beare’s unrivalled team of specialists, many
JOHN GOSLING
Chapel violins offers violin making courses for beginner to advanced student levels, we also provide advanced violin repair and restoration courses. We cater for all levels of ability wit
AB FABLE: VIOLIN IMPROVISATION STUDIES
Anthony Barnett is a writer and music historian whose work is most recently considered by Ian Brinton in
Contemporary Poetry: Poets and Poetry Since 1990 (Contex
Sylvie and James Fawcett both trained at the Newark School of Violin Making and went on to combine forces in a joint workshop established in 1983, very quickly establishing a reputation for fine new i
