MICHAEL KOEBERLING
Welcome to the Website of the Violinmaker
Michael Koeberling
If you are interesting on my Violins, Violas or Cellos, or you wish to contact one of my dealers, please give m a call,
MARTINA HAWE
In love with music and wood work at an early age I moved to England to study lutherie at the renowned Newark School of violin making. After I left school with my diploma- highly inspired-
Musical instruments are unique pieces and no two musicians are the same.
Even millimeters in the dimensions of the instruments can decide on the playing comfort.
Every musical instrument has its own v
ULRICH HINSBERGER
born 1967 in Illingen/ Saar, received his training as a violin maker between1986 and 1990 at the” Staatlichen Berufsfachschule für Geigenbau in Mittenwald,” graduating with meri
Bertrand Bellin, born in south of France, studied violin making at Newark and Sherwood College, England. After a collaboration of ten years with Roger Hargrave, and winning international awards, he is
SUSANNE GEBHARDT GEIGEN BAUMEISTERIN
A Stradivarius is one of the most unpopular violins among professional musicians – at least if the musicians do not know that they are playing. They mostly p
DOMINIK HUFNAGL
The classic activity of the violin maker is the focus of our workshop: the construction of new violins, violas, cellos and double basses – the merging of traditional methods with
Gael Francais devotes his complete attention to the musician’s needs, applying his uncompromising standards of craftsmanship and expertise to the professional, student, and amateur alike.
His sh
Discovered his passion for Violin Making in 1980.
Studied under Miranda Green, Malcolm Siddal and Terry McCool at the Welsh School of Violin Making in 1980, graduating with a Diploma of Merit in 1983.
In addition to building new stringed instruments, the focus of our master violin making workshop is also copying, restoring and evaluating old masterpieces of violin making.
A detailed replica or a so
The bow is the connecting link between the hand of the musician and the instrument.
It transports the emotion of the string-player and transforms it into music.
Pernambuco -The Bowmakers Gold
Material
You love your instrument and look for someone to whom you may entrust your instrument for repairs, sound equipment, etc.?
You have found a violin in the attic and would like to know if it would be wor
