Brian Lisus is a graduate of the Newark School of Violin making in England and has been making instruments professionally for over thirty years. His instruments are used by soloists and professionals
Legge 88/2009 Art. 42: Musafia Italia S.n.c. di Dimitri Musafia & C. Sede sociale Via Novati 4A, 26100 Cremona. P.I IT 01039320195, REA Cremona 130387, c.s. 25000 e.i.v..
Since 1970 Anne Cole has created custom violins, violas, and cellos with an original concept of tone. Her instruments, one-of-a-kind works of art, combine playability and response with tonal warmth an
Born in Magdeburg (Germany) in 1966, she completed her apprenticeship and fellowships in Markneukirchen, Berlin and Soest. From 1995, she studied violin making at the violin makers Eckart Richter and
Gert Schrijvers was trained in the French violin making tradition
tradition and worked in Parisian workshops for many years.
In 1992, he settled in Hasselt as a restorer of fine stringed instruments.
Jan Strick was first noticed by Jacques Bernard in 1977 for his commitment to and gift for violin-making, and followed his advice to train in France, at Mirecourt and Angers, in the purest French trad
I was born in 1964 in the beautiful town of Kazanlak – Bulgaria, situated in the Valley Of The Roses and Thracian Kings. A city of many artists, famous painters and composers where the violin-making
Welcome to Michael Altshuler’s Violin Shop, Vancouver’s most reputable violin maker – “the one place for all your string instrument needs”
Michael Altshuler has over 25 y
Inokuchi & Son have been manufacturing musical instruments of distinction for over 40 years. Considered by many to be one of the top makers of today, the present-day partnership of Master Violin-m
Raymond Schryer, born 1961 in Sault Ste Marie ON Canada, has been passionate about violins for over 35 years. Raymond studied violin performance at the University of Western Ontario and now enjoys arr
For the last thirty years, I have been working as a violin and guitar maker at my home here in the hills above St. Ann’s Bay on Cape Breton Island in Canada’s Nova Scotia. Although I speci
The work of a master luthier is penetrated by a personal imprint – the gesture – which determines the character of each of the instruments he makes. The gesture gives the instrument an exc
