JOHN MOLINEUX
1947 Born in Los Angeles, California
1950 Family moved to England
Instrument – making
1972 – 74 Training : Newark School of Violin Making.
Pass with distinction.
Music and Story-tell
JUDITH KRAFT
Luthier since the 1970s, I welcome your visit (by appointment) to my workshop, well hidden in the 10th arrondissement of Paris.
I am originally from the United States – the quest for th
KRAUSE GEIGENBAU
We are glad to see you here! Since more than 40 years now, our goal is to create with classical craftmanship and our passion for music exeptional bowed stringed instruments. Your musi
L’Atelier d’Arthur is a very special place where violin makers, bow makers and musicians simply meet.
L’Atelier d’Arthur, 3 Rue Truffaut, Paris, is the workshop where Arthur Dubroca (shown o
In order to promote the involvement of players and others interested visitors we have initiated the” Pleople’s Prize”, sponsorded by the Tom Jenkins trust.
Quiet simply, every visitor to the
JORGE POZAS
Born into a family of professional musicians, I studied cello in Madrid, Amsterdam and London and currently teach cello in a music school and play in several orchestras.
I have been fascin
“Lutherie de France, le spécialiste de l’achat, la restauration et la réparation de violons, violoncelles et contrebasses en France. Devis et Déplacement Gratuits en France Métropolita
After being trained in renowned lutherie schools, Cremona (Italy) for Sabine Cassat and Abertridwr (Wales) for Katharina Wellmer, we worked for several years in Paris in various workshops on Rue de Ro
Mélanie Kaltenbach is above all a love story between a musician and old string instruments. Indeed, my passion for violins and cellos pushed me to learn more about their manufacture and maintenance
Do not hesitate to send me your comments, thoughts, needs, expectations, etc.
or simply send me your email address
to receive further information…
[email protected]
Musical instruments are unique pieces and no two musicians are the same.
Even millimeters in the dimensions of the instruments can decide on the playing comfort.
Every musical instrument has its own v
