ANDREAS HUDELMAYER
I make violins, violas and cellos for professional musicians and good amateurs. Performers across Europe, Asia and the US play my instruments, as soloists, in top orchestras and cha
MARTIN RESTALL
The business was first established by Martin Restall as Portsmouth Violin Centre in 1979. Demand for instruments grew quickly and the workshop was always busy with customers repair work
Gennaro’s cellos are much sought-after concert instruments, this fine example having been made in Naples around 1750. The “bear’s claw” figure of the table and lustrous Neapoli
PAUL BALMER VIOLINS
My main aim is to take the time and care to help my customers, whether amateurs, serious students or professional players, to find the best instrument and bow to suit their needs.
GEOFF DENYER VIOLINS LTD
Geoff graduated from Newark School of Violin Making in 1984. He gained much experience in various workshops throughout Europe and now has his own premises in Winchester, from
JPB MUSIC
JPB Music was founded in 2004 and since then has grown into the UKs premier stockist of stringed instrument strings and accessories. We have over 25 years of combined experience in the violi
DEREK ROBERTS VIOLINS
Derek Roberts Violins was established in 1987 in Leamington Spa, Warwickshire. We are also open for business in Pembrokeshire, West Wales.
Since Derek Roberts Violins was establi
TIMOTHY BATCHELAR
Timothy Batchelar was trained by William Luff and Pat Naismith in the Department of Music Technology at the old London College of Furniture. In his second year he won the Violin Maki
Sylvie and James Fawcett both trained at the Newark School of Violin Making and went on to combine forces in a joint workshop established in 1983, very quickly establishing a reputation for fine new i
MARK JENNINGS
On leaving school at 18 Mark studied Musical Instrument Technology at Merton College, London, graduating with distinction. He then went on to the internationally renowned Newark School o
ROGER HANSELL VIOLINS LTD
We feel that fittings on an instrument are crucially important and the set up should never be
compromised by a tailpiece, pegs or any other part being of inappropriate size.
As an instrument maker, I know that musicians are looking for particular qualities in an instrument. Beyond the fundamental attributes which show that an instrument works properly and is comfortable t
