Since 1992 the two Hamburg-based Geigenbaumeister specialized in making fine copies of violins, violas and violoncellos:
The instruments are estimated not only for their classical appearance but also
Our Trademark is the sale and the consulting for the acquisition of high-quality instruments and bows which allow, by means of their unique sound, exceptional musical experiences.
In our studio store
RUMEN KOSTADINOV DOUBLE BASS VIOLIN MAKER
I learned Italian violin art in Siena – Tuscany with Maestro Stelio Rossi. Creating precious new stringed instruments, rich in tonal colors, acousticall
Barbara Gschaider, born in 1971, qualified violin maker
Georg Gschaider, born 1971, qualified violin maker and qualified engineer mechanical engineering
Our studio is located south of Bonn city
GEIGENBAU SCHELLONG OSANN
After an apprenticeship at the Mittenwalder Geigenbauschule in Stuttgart, Kassel, Hamburg and Chicago, Ulrike Schellong had spent her company and then passed the master’
JOERG WEIMER GEIGENBAUMEISTER
Mit Urteil vom 12.Mai 1998 hat das LG Hamburg entschieden, dass man durch die Ausbringung eines Links die Inhalte der gelinkten Seite ggf. mit zu verantworten hat. Dies k
The Geigenbauatelier 1930 by Herbert Franke in Halle (Saale) and was founded in 1958 taken over by Joachim Schade. After studying with his father and the successful completion of his master’s ex
WOLFGANG SCHIELE
Wolfgang Schiele established his workshop in Munich, Germany, in 1990. His service offerings include the making of new instruments, the repair and sound improvement as well as the r
HAAT-HEDLEF UILDERKS
Welcome to Geigenbauonline! Experience violin making on the web!
As you can see, we have a new design and also a lot of new content. Our “old” pages are still availabl
JULCH GEIGENBAU
Born in Munich. Violin, viola, love of painting and craftsmanship, high school diploma.
1994-97 Newark School of Violin Making. Diploma with distinction.
1997-2007 Collaboration among
WOLFGANG SCHNABL
From September 1984 to February 1988 he studied at the ‘Staatliche Fachschule für Geigenbau’ in Mittenwald. In his semester were also Jan Spidlen and Gertrud Reuter.
In t
In my work repairs and restoration form a harmonious unity with the new building. Through collaboration with soloist musicians, I have gained experience in solving tonal problems in 30 years of violin
