Gijsbert was trained in the U.K. at the Newark school of violin making, and got his degree in 1991. During his school period he acquired work experience with Chaudiere in Montpellier and Kagi in Berli
MAKIISHIZUKA
Serge was fascinated by violinmaking at a very young age. So in 1965, after high school, he leaves for the prestigious Mittenwald school of violinmaking. He graduates after 4 years. There
JOHANNES JACOBS
“Violinmaking in all its aspects is a pleasure to do”
There is a constant current of ideas between my customers and me which evolve my making and design.
In my view a beaut
ANDRE KLAASSEN HISTORICAL BOWS
Since I was seventeen, I occupied myself with the building of mostly historical
musical instruments.
After studying art history workbench pulled over the desk and I deci
Willem Bouman & Zn. since 1951, a concept in The Hague. The unique technology repairs and restores the family Bouman violins to their original status.
We rent all strings in all formats. Quality,
I’m Maki Ishizuka , violin restoration specialist. During my work in the Atelier René Morel I may restore many Stradivarius. Complex restorations have become my trademark; while the violin is n
Since it’s foundation in 1985, the Atelier voor Contrabas has been a notion for Dutch bass players.
The owner Lucas Suringar has developed as THE authority in the field of Double Basses.
The
I have been making fine violins for twenty-five years. In the tradition of the ancient masters. Each of my instruments is completely unique.
Excellent quality of materials, exact proportions and the
Jaap Bolink – Hilversum
“Dat knokken hoor je terug in mijn vroegere instrumenten”
Jaap Bolink, geboren in Enschede op 7 februari 1946 als zoon van de kunstschilder-vioolbouwer Jan H
My name is Hubert de Launay and I specialise in making and restoring instruments of the violin and viol family. In the past 10 years I have worked in several workshops in Europe on high quality instr
I started a cello on Christmas morning 2013. It’s a new model for me. A forma B Stradivarius based on the Countess of Stanlein, played for many years by Bernhard Greenhouse of the Beaux Arts T
You play the violin, alto or cello. You do this because you have the talent, the right school of education and the idea how you want to make sound into music. Above all, you enjoy it.
The right
