The quality of the wood is an essential prerequisite for the creation of a high-quality instrument.
Since I am the third generation to run the workshop, I am in the fortunate position of being able to draw on decades-old Bosnian maple and Austrian spruce.
As early as when selecting the wood, I can respond to the individual requirements and wishes of my customers.
When building, I use templates from old masters (Stradivarius, Guarneri, Bergonzi) or I design my own models based on my experience.
Other ways of tailoring the instrument to the musician’s personality lie in the craftsmanship, the varnishing – I use high-quality propolis varnish for this – and the adjustment of the instrument.