CARLO CHIESA

The main activity of the workshop is the construction of new instruments (violins, violas, cellos), much appreciated by musicians for their excellent acoustic qualities. Trying to better understand the functional characteristics of the instruments of the modern quartet, for several years Carlo has dedicated himself to the study and construction of the instruments of these precursors, the violas, achieving excellent results in this area. Even today, on order, he builds baroque instruments for a small circle of specialized musicians, usually after a comparison that allows to agree on the musical characteristics that each instrument must have. The Chiesa laboratory is also a renowned center for the restoration of valuable antique instruments. Always attentive to the musical aspect of his instruments, and interested in understanding and knowing how to replicate the characteristics of the authors of the past, in a violin Carlo always sees first of all the working tool that allows a musician to best express his art. For this reason, his work is often required for the development and sound optimization of ancient instruments: working closely with many interpreters, even of great fame, he has developed an experience that allows him, dialoguing with musicians and intervening on different aspects of the setting, to bring the instruments to the best and most suitable sound result for each performer, with particular attention to the personal characteristics of the sound research. in a violin Carlo always sees first of all the working tool that allows a musician to best express his art. For this reason, his work is often required for the development and sound optimization of ancient instruments: working closely with many interpreters, even of great fame, he has developed an experience that allows him, dialoguing with musicians and intervening on different aspects of the setting, to bring the instruments to the best and most suitable sound result for each performer, with particular attention to the personal characteristics of the sound research. in a violin Carlo always sees first of all the working tool that allows a musician to best express his art. For this reason, his work is often required for the development and sound optimization of ancient instruments: working closely with many interpreters, even of great fame, he has developed an experience that allows him, dialoguing with musicians and intervening on different aspects of the setting, to bring the instruments to the best and most suitable sound result for each performer, with particular attention to the personal characteristics of the sound research.