Since it’s foundation in 1985, the Atelier voor Contrabas has been a notion for Dutch bass players.
The owner Lucas Suringar has developed as THE authority in the field of Double Basses.
The
RENEZAAL
From 1978 to 1981 René Zaal(Wageningen, 18 september 1956) followed a violinmaking course at the Newark School of Violinmaking in England. He then worked for 2 years with violinmaker Loerakk
Gijsbert was trained in the U.K. at the Newark school of violin making, and got his degree in 1991. During his school period he acquired work experience with Chaudiere in Montpellier and Kagi in Berli
You can contact us for renting or purchasing high-quality string instruments, honest advice and a fair price. In addition, Hugo Doesburg and Heleen de Witte are active musicians and music teachers.
SASKIA SCHOUTEN VIOOLBOUW
Welcome to Saskia Schouten’s webpage, maker of violins, violas and cellos.
Next to making violins, violas and cellos, she also has been performing reparations, restorations
Violin making in the Netherlands is a flourishing profession to which the NGV wishes to make a positive contribution.
Membership of the NGV offers musicians the certainty that they are dealing with a
VOGELSANGS VIOLIN BUILDING is a small-scale craft company founded in 1985.
You can contact us for the purchase, repair and rental of stringed instruments.
We specialize in violin and cello.
We als
De vorm en constructie van strijkinstrumenten boeide me al, nog voordat ik met vioolspel mijn interesse had verdiept. Toen ik hoorde van het bestaan van een opleiding muziekinstrumentenbouw in het Bel
JOHANNES JACOBS
“Violinmaking in all its aspects is a pleasure to do”
There is a constant current of ideas between my customers and me which evolve my making and design.
In my view a beaut
The studio builds new instruments, completely hand made. Katrien Vandermeersch specializes in the making of the violoncello and the bassviolin (bas de violon). Also the tenoralto has been the subject
Luthier Katrien Vandermeersch
As a luthier, I use my 30 years of craftmanship in favor of the musician. Therefore, I first listen, watch, and learn from the artist. From there I create an instrument
