JORG ANDREAS FRANKE/GEIGENBAU – ATELIER
Jörg Andreas Franke began his training in the father’s workshop in 1979 and attended the violin school in Mittenwald. After his master’s exam
MICHAEL JAUMANN
In detail is the great art – for the musician as well as for the violin maker, who is to know its sounds and to realize with the highest craftsmanship precision on the instrument
Every old stringed instrument has an open-ended story to tell.
Open-ended, because fine stringed instruments live on from generation to generation.
Corilon violins is an expression of the enthusiasm w
RAGNAR HAYN was born in Berlin in 1978 as the only son of an artist family and grew up in Hamburg. The art of violin making inspired him early. Already at the age of 12, he is the autodidactic craftsm
JANSEN FINE BOWS
Stephan Jansen was born into a German-French family of musicians who inspired his passion for music and instruments at an early age. He began studying viola under Prof. Barbara Westph
Bertrand Bellin, born in south of France, studied violin making at Newark and Sherwood College, England. After a collaboration of ten years with Roger Hargrave, and winning international awards, he is
HENRYK INA KELLER
Most of the bows I make from snakes. It is a very fine-pored, very dense and hard wood, which has a drawing reminiscent of snake skin. Snake is a tropical wood from South America, wh
We are pleased that you are interested in our studio, which offers you everything to do with stringed instruments and bows. Qualified specialist knowledge, many years of experience and a good mood su
Raffaello di Biagio, born in Campiglia Marittima (Italy) in 1976, moved to Cremona in 1994, where he was trained in the art of violin making in the workshop of Stefano Conia. In 1998 he completed his
OLIVER BERGNER ETUIBAU
For more than 300 years, our instruments have been handmade by master craftsmen and delivered to various countries.
Since August 1991, we have mainly produced cases for string i
Musical instruments are unique pieces and no two musicians are the same.
Even millimeters in the dimensions of the instruments can decide on the playing comfort.
Every musical instrument has its own v
