HELMUT POSER
Since 1989 our workshop for violin making is located in Regensburg, Bavaria. Our field of activity: Building new violins, restoration of old instruments, rental of stringed instruments of
CHRISTIAN ARNOLD
Discover masterfully crafted instruments from the 18th, 19th and 20th centuries. and 20th century, for the highest demands and outstanding sound.
With us you will find violins, cello
MICHAEL FRANKE GEIGENBAUMEISTER
In our workshop, three master violin makers guarantee your satisfaction. Whether for an individual new building, repair, restoration or a targeted optimization: With s
MARTINA HAWE
In love with music and wood work at an early age I moved to England to study lutherie at the renowned Newark School of violin making. After I left school with my diploma- highly inspired-
I was born in Glückstadt, Germany. When I was four years old my family moved to Rome, where I lived until I started the Violinmaking School in Mittenwald.
After my apprenticeship I worked in the foll
HARALD LORENZ
Our company was established more than 120 years ago and our fourth generation is currently turning pegs. In 1884 our founder, Franz Lorenz (1859-1944), started turning pegs with very sim
Recreating historical string instruments and bows is the creative heart of my work. Alongside this, I offer repair, bow rehairing and the remodelling of modern (or modernized) string instruments to br
Please permit me to introduce myself: My name is Björn Stoll, and my workshop is birthplace to cellos and basses crafted in the traditional manner – placing the highest demands on workmanship and s
Bertrand Bellin, born in south of France, studied violin making at Newark and Sherwood College, England. After a collaboration of ten years with Roger Hargrave, and winning international awards, he is
JORG ANDREAS FRANKE/GEIGENBAU – ATELIER
Jörg Andreas Franke began his training in the father’s workshop in 1979 and attended the violin school in Mittenwald. After his master’s exam
HAYN & HAYN
Bettina Hayn decided to specialise in the restoration of stringed instruments early on, during her professional training in England (Newark). In a career which now spans thirteen years
