STEFANOTRABUCCHI
I was born in Sondrio on February, 5th 1970, in a family of musicians. When I was 8, I started to play the violin and, since then I’ve been attracted and fascinated by this instrume
Born in Cremona in 1967, at the age of ten, Fabio began to devote himself to music and woodworking. He frequently attended the workshop of his uncle, a restorer, and the Cremonese luthiers’ R
EDUARDO ANGEL GORR
He was born in Las Rosas, Argentina, on January 17th 1965.
In 1982 he graduated from the “Technical Highschool ‘General San Martin”, in Rosario.
In the same period, he
SETARO FINE INSTRUMENTS
The sound research has accompanied my instrumental education since the approach to the instrument. Primordial “open strings” are the prelude to the nascent passion
Elena Bardella was born in Cremona in 1966, in 1984, under the guidance of Master Giorgio Cè, she graduated in the Cremona International Violin Maker School.
In 1982 she who the “Youngest participa
STEFANO CONIA
Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a d
RENZO ROMITA LIUTAIO
Renzo Romita was born in Ferrara in 1940. He was very young when he began studying the art of cabinet making and he attended many makers’ shops. He mainly worked on saving a
After graduating from the International Violin Making School of Cremona under the guidance of Wanna Zambelli in 1981, Alessandro Tossani worked at several laboratories including those of Francesco Bis
In 1977 he started as an apprentice luthier in the Monzino firm where the Antoniazzi brothers, Erminio Farina, Gennaro Marino, Severino Riva, Ambrogio Sironi, Piero Parravicini and Luigi Galimbert
MAURIZIO TADIOLI
Born in Cremona on September 16, 1967, Maurizio Tadioli began studying the art of violin making as a child guided by his grandfather Carlo Pizzamiglio, a self taught luthier. Also, st
We are specialized in restoration and sound adjustment. In order to preserve the instruments’ original materials and to assure their faithful reconstruction – besides using traditional met
LUCCHICREMONA SAS
Try to imagine tortoises and lizards, horses and elephants in the company
of prehistoric animals like the mammoth. Then think of precious materials
like ivory, mother of pearl and si
