We are specialized in restoration and sound adjustment. In order to preserve the instruments’ original materials and to assure their faithful reconstruction – besides using traditional met
MATTEO MAZZOTTI
Matteo Mazzotti was born in Pavia on 24th April 1979. As a child, he showed a precious interest in music and he attendet regularly the workshop in Piacenza of his grandfather, Mazzocch
He was born in Argentina. He began his training as violin maker in 1993 attending the Violin Making School of the “Universidad Nacional de Tucuman”, founded in the ʻ40s by Alfredo Del Lungo from
GIORGIO GRISALES
Giorgio Grisales was born in 1963. He moved to Cremona in 1982 where he began his first approach to the art of violinmaking. In 1988 he graduated at the “International School of Vio
MARCO BRUNELLI
Born in the USA in 1972, grown up in a small town close to Lecco, he began to enjoy woodworking and woodcarving during his college years, and since then he never stopped his love for wo
Patrizio Orippi was born in Fidenza, in the province of Parma, on June 17th, 1970. 15 years later he decided to join the International School of Strings of Cremona, where he attended the courses of th
WALTER BARBIERO ARCHETTAIO
I graduated in viola at the Conservatory ” A. Steffani ” of Castelfranco Veneto with Maestro Luca Volpato , and the ” Ecole Nationale de Musique et de Dans
I was born in Genoa in 1960. My interest in luthiery dates back to 1978 and after many years of professional violinmaking, since 1995 I focused my attention on baroque bows.
Alongside with my activity
MATTIA RIVA VIOLIN MAKER
I was born in Varese on 4th December 1972.
After receiving my diploma at the Arts High School in Varese, I attended the International Violin Making School in Milan and I achie
LEVAGGI & TARTARI
I trained at the Cremona International Violin Making School under the tuition of masters V. Bissolotti and W. Zambelli, obtaining my diploma in 1984.
In 1994 I began working with
ERICH PERROTTA BOW MAKER
First time I met the Bowmaking in 1997 when, already passionate about Luthery since several years, Master Claudio Righetti introduced us in his workshop in Verona.
Since that
To become fluent and artistic on the violin requires many hours of practice and Ms Jenson has never experienced pain or physical discomfort during practice or performance. She attribute this to a natu
