In 1993 he came into contact with the Master and his son Vincenzo Francesco Bissolotti the lab attendance and the great mutual respect continues.His instruments are known and appreciated in Italy, Fra
FABIO DALLA COSTA
Fabio Dalla Costa graduated at the International Violinmaking School of Cremona in 1984. A pupil of G.B. Morassi until 1988.
F.D.C. in 2004, after a four years study about the violin
Violiniamati specializes in excellent quality old violins (circa 1850-1930) of outstanding value.
At a time when antique musical instruments are very expensive to buy, I can offer quality old violins
FILIPPO FASSER LIUTAIO
Filippo Fasser is a professional violin maker since 1992 working in the heart of Brescia, Italy.
Member of the Experts Register at Court of Brescia and Chamber of Commerce of Br
Anqi Ni, born in Shandong, China, is a violinmaker based in Cremona, Italy. In 2019 she established her workshop “Laboratorio Violintecture” at the historical center of Cremona. She concentrates o
There can be no art without study and patience, that of learning a trade, each piece created is unique and conveys the spirit of the master luthier who shaped it following the working techniques hande
First time I met the Bowmaking in 1997 when, already passionate about Luthery since several years, Master Claudio Righetti introduced us in his workshop in Verona.
Since that day the passion between m
HORVAT-KAMIYA VIOLIN STUDIO
Martin Horvat was born in Vienna in 1969.
He receives a ‘broad musical education in Vienna (Cello, Piano, Trumpet, Composition). Soon she developed a great interest i
I was born in Milan in 1967.
From 1984 to 1990 I attended the Violin Making School of Cremona under the guidance of Masters Massimo Negroni, Ernesto Vaia and Vincenzo Bissolotti.
During the same perio
Studio Restauro – Arte Liutaria is a Cremona-based workshop specializing in extensive restorations, making and sales of fine violins, violas, violoncellos and their bows. We pride ourselves in b
FAR EAST VIOLINS/FAR EAST TRADE CONSULTANTS
The reasons why we have chosen to represent in Europe the workshop with which we have been collaborating now for ten years are numerous:
their accurate wood
Through studying the violin at the encounter with Master Luthier Otello Bignami, director of the School of Violin Making Artistic Bolognese, which Bruno Stefanini attended from 1979 to 1983 when it ob
