IGOR MORODER
Born and raised in Ortisei, in Suedtirol, the art of music, painting and wood handcrafting were part of my family. After being completely fascinated by the stringed instruments thanks to
Edo Sartori, nato a Schio nel Maggio 1961.
I was born in Schio (Italy) in 1961 and I make bowed string instruments.
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Costruisco strumenti ad arco. Ho cominciato tardi, da autodidatta, nelÂ
Mathijs Adriaan Heyligers, born in Holland, moved to Italy in 1975 after his high school diploma. His study of violin making began at the International School of Violin Making of Cremona under the gui
Diploma di Maestro Liutaio nel 1982 presso la Scuola di Liuteria di Cremona, sotto la guida triennale di M° Francesco Bissolotti.
Lo stesso anno si trasferisce, assieme ad altri liutai, in Toscana â€
Alceste Bulfari makes violins, violas and the occasional cello in his workshop at Santa Maria, Castelleone.
His instruments are of traditional design and manufacture, made from the highest qua
ARWED HARMS has been making Violins,violas, and cellos for twenty years, Initially in cremona and for six years now in Fivizzano,Tuscany. In the roughly one hundred instruments that he has build, ther
Angelo Regaglia, for more than fifteen years, has been making string instruments in his workshop in Pattada, in the heart of Sardinia, in the district of Sassari. His working formation starts in the b
FRANCO SIMEONI
Franco Simeoni and ‘born in Treviso in 1958.
After earning a maturity’ scientific, worked in the workshop of luthier Fabrizio Reginato, near Asolo where he began “to s
GEIGENBAU CREMONA VIOLINS
Katharina Abbuhl (1968-,Bern,Switzerland) is the founder of Cremona violins, a famed violin making workshop in the center of Cremona. She graduated from the international vio
MASSIMO NEGRONI
An X-ray can reveal restoration work, irregularities in the wood,the channels produced by wood-eating insects and all the signs needed for the identification of the state of preservati
My customers describe me as a musician’s psycologist…
Every time a customer enters my workshop, I try my best to understand their professional requirements and, I can assure you, it’s not easy.Â
