VIOOLBOUW EN RESTAURATIE ATELIER AC HENDRIKSEN
The construction of a violin takes an average of 250 hours, for a cello this is a quickly double or more. For this you have a completely hand-built instr
Gijsbert was trained in the U.K. at the Newark school of violin making, and got his degree in 1991. During his school period he acquired work experience with Chaudiere in Montpellier and Kagi in Berli
AFFOURTIT HISTORICAL BOWS
I was born in Rhoon, The Netherlands in 1963. At the age of 11 I started to learn the violin with Martin Sonneveld. Already during my study of the modern violin at the Royal
MA AS EN ACHTTIENRIBBE VIOOLBOUW
Since 2004 we run a violin workshop in Amsterdam. Bas Maas and Chaim Achttienribbe both graduated from the Newark School of Violinmaking in England. Bas concentrates o
SASKIA SCHOUTEN VIOOLBOUW
Welcome to Saskia Schouten’s webpage, maker of violins, violas and cellos.
Next to making violins, violas and cellos, she also has been performing reparations, restorations
Ronald de Jongh is specialized in making new violas and violins: My clients are playing in all branches of the musical world: orchestra’s, teachers, amateurs, soloists, ensembles.
When consideri
Contrada Musica is a company with ambition. Craftsmanship and personal attention characterize our daily actions. This applies both when building new violins and cellos and in the repair and restoratio
MATTHIEU BESSELING VIOLIN MAKER
Matthieu Besseling was born in Amsterdam on 6 December 1951. He began making violins when he was twelve, under the guidance of a violin maker Paul Gerhard Schmidt and h
JOHANNES JACOBS
“Violinmaking in all its aspects is a pleasure to do”
There is a constant current of ideas between my customers and me which evolve my making and design.
In my view a beaut
She grew up in a family of musicians, played the cello since childhood, is professionally trained and has more than twenty years experience: this explains both the demand and the appreciation for Kath
A GRUTTER STRIJKSTOKKEN
I have been making bows for over 30 years now. That doesn’t necessarily mean that they are good, but I have thought continuously about all the different aspects of bow making
The Frenchman François Tourte (1748–1835) is for bow makers what Stradivarius is for violin makers. He laid down the standard for the modern bow and was the first to use Pernambuco wood, which give
