Fabienne Gauchet was trained at the school of violin making in Newark, England. After obtaining her diploma in 1998, she continued her training during internships, notably in France, her country of
Making musical instruments that sound, perform, last and are attractive is an art and a calling. Our quest is to create a symbiosis between the musician and his instrument through the production
March 1-4: 5th annual Contemporary American Violin & Bow Maker Exhibition, Metzler Violin Shop, Los Angeles, CA.
May 19 to 21: EKHO #4, Brussels, https://www.ekho-violins.com/
September 18:
Jean-Benoît Stensland began his apprenticeship in Montreal under luthier Antoine Robichaud. This training enabled him to obtain in 1980 a Canada Art Council grant to study at the International Scho
Bow Maker in the French Tradition
These bows are in the hands of these musicians:
St. Lawrence String Quartet (USA), Gryphon Trio (Canada)
Cecilia String Quartet (Canada), Dover Quartet (USA), Excelsa
In June 2007, a new workshop devoted solely to bow making was born. Well lit, located in the heart of Montreal’s artistic district on avenue de l’Espla nad e (Mile-
Guillaume Schönau is a member of the American Federation of Violin and Bow Makers (AFVBM), the Makers’ Forum and the Violin Society of America (VSA).
He runs “Schönau & Tardif Luthiers I
The making of a violin is a work of precision, based on ancient proven methods which have remained unchanged for centuries. Classical Cremonese-style models, such as Stradivari and Guarneri, are those
Mr. Lamarre mainly manufactures instruments that compose the string quartet and double bass. He studied from 1977 to 1980 with the Italian master Luthier Sylvio de Lellis who was then living in Quebec
Over the years, several activities have been added to the workshop: a direct import service from European and Eastern manufacturers, study violin models specially built to our specifications, exhibiti
The work of a master luthier is penetrated by a personal imprint – the gesture – which determines the character of each of the instruments he makes. The gesture gives the instrument an exc
