RESONANCE
Résonance was created in 1998 by Eric Matser.
He started with the rental of violins and cellos. Meanwhile Résonance become the largest landlord in Amsterdam eo
Résonance’s preferred
TANJA BRANDON VIOOLBOUW
For over 20 years,Tanja Brandon is specialized in stringed instruments and bows of high quality for professional musicians, teachers, students and pupils of all levels and ages
Bartolomé Straatemeier, born in 1956, was trained by Patricia Naismith at the Department of Musical Instrument Technology of the London College of Furniture, at present a part of the London Guildhall
The studio builds new instruments, completely hand made. Katrien Vandermeersch specializes in the making of the violoncello and the bassviolin (bas de violon). Also the tenoralto has been the subject
MAKIISHIZUKA
Serge was fascinated by violinmaking at a very young age. So in 1965, after high school, he leaves for the prestigious Mittenwald school of violinmaking. He graduates after 4 years. There
I studied violinmaking at the Geigenbaufachschule Mittenwald. From there I went on to work in various Violinshops, in Chicago at Michael Becker’s and Kenneth Stein’s. After a year in Tobias Festl�
We are a family business in the fourth generation in the beautiful city of Essen, Germany.
In our shop we offer a wide variety of string instruments, very good student instruments as well as fine new
The Frenchman François Tourte (1748–1835) is for bow makers what Stradivarius is for violin makers. He laid down the standard for the modern bow and was the first to use Pernambuco wood, which give
A GRUTTER STRIJKSTOKKEN
I have been making bows for over 30 years now. That doesn’t necessarily mean that they are good, but I have thought continuously about all the different aspects of bow making
She grew up in a family of musicians, played the cello since childhood, is professionally trained and has more than twenty years experience: this explains both the demand and the appreciation for Kath
I have been making stringed instruments since 1993, graduating from the Newark School of Violin Making in 1999.
I enjoy the process from the draftsmanship side of planning an outline and making a moul
JOHANNES JACOBS
“Violinmaking in all its aspects is a pleasure to do”
There is a constant current of ideas between my customers and me which evolve my making and design.
In my view a beaut
