Here at EVL we aim to create unique instruments to fit your needs as a musician. Are you looking for the best amplified tone possible? We have that. Want a fretted violin? We have that too. Looking fo
Born and brought up in France, my interest in stringed instruments began with viola lessons at the Lyon conservatoire. Playing has always been really important to me. I play quartets weekly. This give
We rent, repair and restore the violin, viola, cello and double bass.
The rental and sales concern all children’s sizes up to and including adults, from beginner to professional.
We also hair bo
“Walking About Sound” was born out of an interesting conversation about some points of view about music in general. Today, we live this company intensely, day after day, with the satisfac
Luthier en Cremona
Lucas Fabro nace en el año 1991.
A muy temprana edad comienza a demostrar interés por el trabajo en madera, gracias a formar parte de un grupo scout, agrupación a la que ingresa
The Violin Workshop, based in Cambridge UK and run by The Cambridge Violin Makers, offers one week summer courses in violin making and bow making. We have students of all ages and professions coming f
Thomas Metzler (he/him), President/Founder
Tom gives each customer his full attention in his unhurried, soft spoken style. In 1972, while a violin major at the University of Iowa, Tom decided to
Olsen Violins was established in 1999 in the Ballard neighborhood of Seattle, Washington by Sten Olsen. Since that time, our growing success has been based on the simple principle of providing the bes
Fine historical stringed instruments and bows
Personal advice and support in all matters relating to investing in high-quality stringed instruments and bows
Sale and rental of string instruments and
At the age of thirty, Gonzalo discovered his interest in Violin making. After finishing his studies, he had the great opportunity to spend three years with Philipp Augustin, an experience that complet
Could one make a Strad? Recently, working together, luthiers and restorers have redefined the understanding of what a Strad is, how it works. The question for me is: How can I make a better violin tha