March 1-4: 5th annual Contemporary American Violin & Bow Maker Exhibition, Metzler Violin Shop, Los Angeles, CA.
May 19 to 21: EKHO #4, Brussels, https://www.ekho-violins.com/
September 18:
Fabienne Gauchet was trained at the school of violin making in Newark, England. After obtaining her diploma in 1998, she continued her training during internships, notably in France, her country of
Stephen is originally from Newfoundland and Labrador and currently resides near Vancouver, British Columbia. At a young age he began piano lessons and later played trumpet in a community band that
Making musical instruments that sound, perform, last and are attractive is an art and a calling. Our quest is to create a symbiosis between the musician and his instrument through the production
Lahni Russell joined the Saskatoon Symphony as Principal Cellist/Artist in Residence in 1989. A student of the world-renowned cellist, Janos Starker, she completed Bachelor and Master of Music degrees
Sibylle Ruppert grew up with string music and learned the basics of violin making in a three year course at the Welsh School of Instrument Making and Repair / Abertridwr. The young staff and the small
Welcome to Aeolian Strings. We are a full service string instrument shop conveniently located at the corner of 17th Avenue and 4th Street SW. You will find us on the second floor, easy to locate just
THE ENTERPRISING RABBIT
The enterprising rabbit™ was created to develop and manufacture products which enhance the study and performance of music.
We offer products to inspire musicians and cre
I began making bows in 1980 after living in New York and devoting myself to a career in Early Music. By this time I had already worked for some years as a violinist and violist with many of North Amer
The playability, sound research, artistic creation, are some of the watchwords that guide my work. The musician must consider the bow as an extension of his body: that is my goal.
The joy of playing,
The making of a violin is a work of precision, based on ancient proven methods which have remained unchanged for centuries. Classical Cremonese-style models, such as Stradivari and Guarneri, are those
My instruments are made solely by myself, without the aid of any automated machinery or prefabricated parts. My style of work would be considered clean, though I’d like to think of my work as be
